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eTEACH is a powerful video-based lesson creation tool for the
web that is available to anyone at no cost. It is intended primarily
for educators who want to extend their ability to communicate
and to provide their students increased opportunities for insight
and understanding. As with any powerful tool, eTEACH does come
with a bit of a cost in time and effort, and requires some technological
sophistication, but the rewards are great and well worth it.
eTEACH was developed by Mike Litzkow and Greg Moses at the University
of Wisconsin in Madison. They provide expert personal support
of the product, and Greg is certainly its most experienced user.
Professor Bob Pozos of San Diego State University's Department
of Biology has adopted eTEACH for his introductory Biology 100
course. There are six sections of Bio 100, and Bob has about 200
students in his section. Before we detail our experiences specific
to Bob's application, we'd like to provide an overview of the
most important factors we've found necessary to consider when
undertaking the creation of an eTEACH curriculum module.
Three Major Factors
There are 3 major factors to take into account when considering
the development of a video-based curriculum module...
| 1. Video Production |
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Video production includes setting
an appropriate scene, obtaining proper video hardware, developing
a narrative, videotaping, transfer to computer, and conversion
to streaming format ready for eTEACH. More
on Video Production... |
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| 2. eTEACH Authoring
for Lesson Creation |
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eTEACH authoring for
lesson creation includes the process of installing eTEACH,
and the development and integration of audio/video, powerpoint,
and web pages into an eTEACH lesson. More
on eTEACH Authoring for Lesson Creation... |
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| 3. eTEACH Lesson Delivery |
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Lesson delivery includes being
sure your students have access to computers supporting eTEACH,
as well as the establishment of a Windows 2000 Server with
a Windows Media Server installed in order to serve your eTEACH
lessons. More on eTEACH Lesson Delivery... |
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More on Video Production...
Setting an appropriate scene
Because of the scientific nature of most faculty we work with,
lectures often include various demonstrations with props, lab
equipment, etc. In the best of situations, you will have already
planned your lesson thoroughly before arranging to shoot your
video. However, some like to just jump right in and learn as they
go. We sort of went this route, but will do our best to avoid
it with future users.
Often, the first place to consider videotaping is the same room
in which the course or laboratory is being taught. This was not
a good option for us because the room was scheduled most of the
time. It's best to choose a location where you have as much control
over your environment as possible, so if the door can be locked,
it might be a good idea to lock it to avoid interruptions. A research
laboratory where students and staff are coming in and out upredictably
is a poor choice.
Keep the setting as simple as possible. Limit the number of complex
patterns in the background, or in people's clothing. The simpler
the scene, the better video compression works.
Ideally, search for production services on your campus. Typically,
if you do have such facilities on your campus, they come at a
cost, but see if they have space you might be able to use for
free if you don't require any support or hardware.
You'll probably gain from giving your students the opportunity
of appearing in some of your eTEACH lessons. Students feel considerably
more engaged with the video if one of their fellow students is
'on the spot' alongside the Professor trying to answer a question
or assist with a lab experiment.
Obtaining proper video hardware
Remember that audio is as important as video when considering
the purchase of your own video equipment. Typically, campus media
services provide excellent technology for both audio and video,
but low-end video cameras affordable on a lab budget might be
lacking in hi-quality audio. Our Sony DVR PC110 was more than
adequate for our needs. You may also rely on post-processing with
Windows Media Encoder to enhance the vocal quality of your recordings
while at the same time filtering out much of the ambient noise.
Developing a narrative
This step is important in order to minimize mistakes that force
retakes, but is best done only if there is just one person in
the scene. With two or more people interacting who are not trained
professional actors, it's best to keep the interaction more spontaneous
and just plan on doing numerous retakes. This was our experience,
at least. At some point, it might be worth exploring recording
audio and using speech to text conversion software to generate
a narrative.
Videotaping
Learn your cameras features well. If you stop to playback what
you've recorded, remember to always do an 'End Search' to cue
the videotape to the endpoint of the last recording before beginning
a new recording on the same videotape. Windows Media Encoder does
not do well with multiple recording beginnings and endings on
the same videotape.
Transfer to a computer
Audio/Video capture on computers has become much less painful
than it used to be, but there are still so many factors to consider,
it's difficult to sum them up briefly, but we will try.
If possible, record on a digital video camera. This alone should
make transfer to a computer which supports digital video connections
such as Firewire (IEEE 1394) much easier. In Windows XP, when
we make a connection between our camera and the computer, a dialog
box comes up asking us what we want to do, and provides 2 useful
options, one of which is to open the connection with Windows Media
Encoder 9, and the other with DVD Motion, software provided with
our Sony Vaio desktop pc with Firewire built-in ($800 at Fry's
several months ago).
Conversion to streaming format ready for eTEACH
This step should be most easily done using Windows Media Encoder
Series 9. Windows provides this tool free, and it provides basic
functionality to output your raw (usually .avi format) digital
video to a .wmv (Windows Media Video) format digital video.
It's possible you are using a Mac and iMovie, or Premiere, or
Final Cut Pro, etc. We began this way, because it was our most
convenient access to Firewire. We learned the hard way that tranferring
files larger than 2 Gb is not possible with ftp. We did have an
NT Server set up with an Appleshare volume, which would have allowed
me to transfer files larger than 2 Gb in principle, but in practice
it got hung up at some point. So, we had two basic options, either
keep our files under 2 Gb before transferring from the mac to
the pc, or capture to a pc in the first place. We chose the latter,
because one of us had a Sony desktop Vaio with Firewire built
in.
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